Tamas Dobozy
HORACE
His parents gave him one of those names there was nothing he could do with. No matter what
fate he engineered for himself the name put a stop to it. Which meant, he figured, that none of
those engineered outcomes could possibly be a fate, not really, not as the ancient Greeks, for
instance, would have understood it. He tried, for many years, to let the name lead him instead. To
let the name determine what became of the two of them. And the name, God bless it, had ideas.
To start with, forget any kind of conventional work, or what in middle class magazines is called
a career. Forget about the possibility of amnesia and starting over somewhere. Forget about the
name coming back into fashion and blowing open all the doors he'd realized were closed, bolted,
welded to the frame, so many years ago when he was a child. Forget about a career as a video
game tester, which was, he felt, in an ideal world his calling. The name would not permit this.
The name wanted to be placed in a dour suit somewhere on a streetcorner in a part of the city
where the sight of its carrier, e.g. the man with the name, would cause more amusement, more
pity, than offense. It wanted a very simple message, even to the point of cliche. It wanted the
concrete, the overcast, the faded fonts of a graffiti no one could read. It wanted the man in that
sandwich board stripped to the bone, to a hope without an object to hope for, to a deliverance
without any place to be delivered to, to a salvation without anything to save. It wanted the man
already perfected, in other words, in what he was. It wanted a state of disrepair to be the only
state to aspire to.
Tamas Dobozy has four books of short fiction: When X Equals Marylou, Last Notes, Siege 13 (winner of the 2012 Writers Trust of Canada Fiction Prize), and Ghost Geographies. His stories have won an O. Henry Prize and a Gold Medal for Fiction at the National Magazine Awards.